{"id":1704,"date":"2022-04-27T14:47:34","date_gmt":"2022-04-27T12:47:34","guid":{"rendered":"https:\/\/extremeneria.com\/?page_id=1704"},"modified":"2022-08-04T08:41:18","modified_gmt":"2022-08-04T06:41:18","slug":"biblioteca-autores-y-autoras-extremenos","status":"publish","type":"page","link":"https:\/\/extremeneria.com\/index.php\/archivo-extremenero\/biblioteca-autores-y-autoras-extremenos\/","title":{"rendered":"Biblioteca de autoras y autores extreme\u00f1os"},"content":{"rendered":"\n

Con motivo del d\u00eda del libro nuestros seguidores, amigos y amigas nos ayudaron a completar una biblioteca virtual de autoras y autores extreme\u00f1os que sirva para visualizar toda la cultura que se crea en nuestra regi\u00f3n o acerca de ella. Estos son los t\u00edtulos y autores que nos hab\u00e9is propuesto hasta la fecha:<\/p>\n\n\n\n

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INDICE: A<\/a> B<\/a> C<\/a> D<\/a> E<\/a> F<\/a> G<\/a> H I<\/a> J<\/a> K L<\/a> M<\/a> N \u00d1 O<\/a> P<\/a> Q R<\/a> S T<\/a> U V<\/a> W X Y Z<\/strong><\/p>\n\n\n\n

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A<\/strong><\/span><\/p>\n\n\n\n

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El secreto de Rubindul<\/em>. 2013. Adriana Garc\u00eda<\/figcaption><\/figure><\/div>\n<\/div>\n\n\n\n
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La verg\u00fcenza del amo. <\/em>2021. Alberto Naval\u00f3n<\/a><\/figcaption><\/figure><\/div>\n<\/div>\n<\/div>\n<\/div>\n\n\n\n
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El cuarto del siroco. <\/em>2018. \u00c1lvaro Valverde<\/a><\/figcaption><\/figure><\/div>\n<\/div>\n\n\n\n
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Azar\u00eda<\/em>. 2015. Anabel Rodr\u00edguez<\/a><\/figcaption><\/figure><\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n\n\n\n
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Diccionario Peral\u00eao del Campo Ara\u00f1uelo<\/em>. 2022.
\u00c1ngel Casta\u00f1o Jim\u00e9nez y F. Javier Arias Manzano<\/figcaption><\/figure><\/div>\n<\/div>\n\n\n\n
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El sue\u00f1o diurno. <\/em>2022. \u00c1ngel Doncel Cervantes<\/figcaption><\/figure><\/div>\n<\/div>\n<\/div>\n<\/div>\n\n\n\n
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La silenciada historia de Unamusa<\/em>. 2021. \u00c1ngel Lamenor<\/a><\/figcaption><\/figure><\/div>\n<\/div>\n\n\n\n
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COVID. El viaje del vino. <\/em>2020. \u00c1ngel Luis Fern\u00e1ndez Sanz<\/figcaption><\/figure><\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n\n\n\n
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Adunia. <\/em>2021. An\u00edbal Mart\u00edn<\/a><\/figcaption><\/figure><\/div>\n<\/div>\n\n\n\n
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La cueva del sur. <\/em>2018. Antonio L\u00f3pez Mart\u00edn<\/figcaption><\/figure><\/div>\n<\/div>\n<\/div>\n<\/div>\n\n\n\n
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Derrotero. <\/em>2022. Antonio S\u00e1nchez G\u00f3mez<\/figcaption><\/figure><\/div>\n<\/div>\n\n\n\n
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La forja de un rebelde. <\/em>1941-1944. Arturo Barea<\/a><\/figcaption><\/figure><\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n\n\n\n
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El d\u00eda que se levant\u00f3 Extremadura<\/em>. 2020. Asociaci\u00f3n 25 de Marzo (varios autores)<\/a><\/figcaption><\/figure><\/div>\n<\/div>\n\n\n\n
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Acci\u00f3n contra el futuro. <\/em>2016. Alicia Vernak y Jaime G. Muela<\/a><\/figcaption><\/figure><\/div>\n<\/div>\n<\/div>\n<\/div>\n\n\n\n
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Garbanzo. <\/em>2021. Borja Garc\u00eda Nogales<\/figcaption><\/figure><\/div>\n<\/div>\n\n\n\n
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C<\/strong><\/p>\n\n\n\n

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Qu\u00e9 nos pasa a los extreme\u00f1os para estar donde estamos<\/em>. 2018. Club Senior Extremadura <\/a><\/figcaption><\/figure><\/div>\n<\/div>\n\n\n\n
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La hu\u00e9lliga. <\/em>2018. Cruz D\u00edaz Marcos<\/a> <\/figcaption><\/figure><\/div>\n<\/div>\n<\/div>\n<\/div>\n\n\n\n
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La turista de los cementerios<\/em>. 2017. Carolina Alcal\u00e1<\/a> <\/figcaption><\/figure><\/div>\n<\/div>\n\n\n\n
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Poes\u00edas. <\/em>1843. Carolina Coronado<\/a> <\/figcaption><\/figure><\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n\n\n\n

D<\/span><\/strong><\/p>\n\n\n\n

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La voz dormida. <\/em>2002. Dulce Chac\u00f3n<\/a> <\/figcaption><\/figure><\/div>\n<\/div>\n\n\n\n
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Trilog\u00eda de la huida. <\/em>1996-1998. Dulce Chac\u00f3n<\/a> <\/figcaption><\/figure><\/div>\n<\/div>\n<\/div>\n<\/div>\n\n\n\n
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Cielos de Barro. <\/em>2000. Dulce Chac\u00f3n<\/a> <\/figcaption><\/figure><\/div>\n<\/div>\n\n\n\n
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E<\/span><\/strong><\/p>\n\n\n\n

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Lo especial de la nada. <\/em>2021. Enrique Gal\u00e1n<\/figcaption><\/figure><\/div>\n<\/div>\n\n\n\n
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Descubriendo a Jarramplas<\/em>. 2020. Ernesto Antonio Salgado<\/figcaption><\/figure><\/div>\n<\/div>\n<\/div>\n<\/div>\n\n\n\n
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Perros mirando al cielo. <\/em>2022. Eugenio Fuentes<\/a><\/figcaption><\/figure><\/div>\n<\/div>\n\n\n\n
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Desaforismos. <\/em>2021. F\u00e9lix Jos\u00e9 Ortiz<\/figcaption><\/figure><\/div>\n<\/div>\n\n\n\n
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Tormenta de verano. <\/em>2011. Fernando Alcal\u00e1<\/a><\/figcaption><\/figure><\/div>\n<\/div>\n<\/div>\n<\/div>\n\n\n\n
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Antonio Elviro Berdeguer, de la lucha regionalista al compromiso con el socialismo<\/em>. 1998. Fernando S\u00e1nchez Marroyo<\/figcaption><\/figure><\/div>\n<\/div>\n\n\n\n
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Jarrapellejos. <\/em>1914. <\/em>Felipe Trigo<\/a><\/figcaption><\/figure><\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n\n\n\n
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El secreto de El Guerrero del Antifaz<\/em>. 2015. Francisco Garc\u00eda-Moreno Barco<\/figcaption><\/figure><\/div>\n<\/div>\n\n\n\n
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El mercader de libros<\/em>. 2010. Francisco Garc\u00eda-Moreno Barco<\/figcaption><\/figure><\/div>\n<\/div>\n<\/div>\n<\/div>\n\n\n\n
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La artesan\u00eda del cuento. Manual de narrativa corta.<\/em> 2013. Francisco Garc\u00eda-Moreno Barco<\/figcaption><\/figure><\/div>\n<\/div>\n\n\n\n
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La Raya, una historia de contrabando<\/em>. 2021. Fran Serrano<\/a><\/figcaption><\/figure><\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n\n\n\n
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En la costa desaparecida. <\/em>2020. Francisco Serrano<\/a><\/figcaption><\/figure><\/div>\n<\/div>\n\n\n\n
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Tr\u00e1nsitos. <\/em>2005. Francisco de Borja Guti\u00e9rrez<\/figcaption><\/figure><\/div>\n<\/div>\n<\/div>\n<\/div>\n\n\n\n
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La princesa y la muerte. <\/em>2001. Gonzalo Hidalgo Bayal<\/a><\/figcaption><\/figure><\/div>\n<\/div>\n\n\n\n
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La escapada. <\/em>2019. Gonzalo Hidalgo Bayal<\/a><\/figcaption><\/figure><\/div>\n<\/div>\n<\/div>\n<\/div>\n\n\n\n
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Feliz final.<\/em> 2018. Isaac Rosa<\/a><\/figcaption><\/figure><\/div>\n<\/div>\n\n\n\n
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Soldados de Salamina. 2001. Javier Cercas<\/a><\/figcaption><\/figure><\/div>\n<\/div>\n\n\n\n
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El inquilino. <\/em>1989. Javier Cercas<\/a><\/figcaption><\/figure><\/div>\n<\/div>\n<\/div>\n<\/div>\n\n\n\n
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Madera de savia azul<\/em>. 2019. Jos\u00e9 Luis Gil Soto<\/a> <\/figcaption><\/figure><\/div>\n<\/div>\n\n\n\n
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L\u00e1grimas de oro. <\/em>2022. Jos\u00e9 Luis Gil Soto<\/a><\/figcaption><\/figure><\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n\n\n\n
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Autobiograf\u00eda de un mierda<\/em>. 2019. Jos\u00e9 Parras Canuto<\/figcaption><\/figure><\/div>\n<\/div>\n\n\n\n
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Hija Vieja. <\/em>2022. Javier S\u00e1chez<\/a><\/figcaption><\/figure><\/div>\n<\/div>\n<\/div>\n<\/div>\n\n\n\n
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Espa\u00f1ola dicen que es.<\/em> 1992. Jes\u00fas Alviz<\/a><\/figcaption><\/figure><\/div>\n<\/div>\n\n\n\n
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Un lobo como yo. <\/em>2014. Jes\u00fas Carnerero<\/a><\/figcaption><\/figure><\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n\n\n\n
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Alg\u00fan pecado raro. <\/em>2015. Jes\u00fas Carnerero<\/a><\/figcaption><\/figure><\/div>\n<\/div>\n\n\n\n
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El grito de los murci\u00e9lagos. <\/em>2016. Jes\u00fas Carnerero<\/a><\/figcaption><\/figure><\/div>\n<\/div>\n<\/div>\n<\/div>\n\n\n\n
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La bruma. 2015. Jes\u00fas Carnerero<\/a><\/em><\/figcaption><\/figure><\/div>\n<\/div>\n\n\n\n
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Intemperie. <\/em>2012. Jes\u00fas Carrasco Jaramillo<\/a><\/figcaption><\/figure><\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n\n\n\n
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El moz\u00e1rabe. <\/em>2001. Jes\u00fas Sanchez Adalid<\/a><\/figcaption><\/figure><\/div>\n<\/div>\n\n\n\n
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Bulto. <\/em>2016. Jon\u00e1s S\u00e1nchez Pedrero<\/figcaption><\/figure><\/div>\n<\/div>\n<\/div>\n<\/div>\n\n\n\n
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El hombre al que le zumban los o\u00eddos<\/em>. 2021. Jos\u00e9 Antonio Llera<\/figcaption><\/figure><\/div>\n<\/div>\n\n\n\n
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Las Hurdes, tierra de mujeres<\/em>. 2020. Jos\u00e9 Benito Ruiz<\/a><\/figcaption><\/figure><\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n\n\n\n
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El club de las cuatro emes<\/em>. 2021. Juan Ram\u00f3n Santos<\/figcaption><\/figure><\/div>\n<\/div>\n\n\n\n
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El hormiguina<\/em>. 1998. Jos\u00e9 Luis Villares Gil<\/figcaption><\/figure><\/div>\n<\/div>\n<\/div>\n<\/div>\n\n\n\n
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El Pa\u00eds de los imb\u00e9ciles<\/em>. 2017. Jos\u00e9 Manuel D\u00edez<\/a><\/figcaption><\/figure><\/div>\n<\/div>\n\n\n\n
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Versos con lengua<\/em>. 2019. Jos\u00e9 Manuel D\u00edez<\/a><\/figcaption><\/figure><\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n\n\n\n
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Relatos divinos<\/em>. 2020. Jos\u00e9 Mar\u00eda M\u00e9ndez<\/a><\/figcaption><\/figure><\/div>\n<\/div>\n\n\n\n
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Por las Hurdes de trecho en trecho<\/em>. 2020. Jos\u00e9 Mar\u00eda S\u00e1nchez y Torrero<\/a><\/figcaption><\/figure><\/div>\n<\/div>\n<\/div>\n<\/div>\n\n\n\n
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El PCE y el PSOE en la transici\u00f3n. 2015. Juan Andrade<\/figcaption><\/figure><\/div>\n<\/div>\n\n\n\n
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La transici\u00f3n a la democracia en Extremadura<\/em>. 2021. Juan Andrade y Guillermo Le\u00f3n<\/figcaption><\/figure><\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n\n\n\n
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La agon\u00eda del b\u00faho chico<\/em>. 1995. Justo Vila<\/a><\/figcaption><\/figure><\/div>\n<\/div>\n\n\n\n
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Los hijos del piment\u00f3n. <\/em>2021. Luis B\u00fardalo<\/a><\/figcaption><\/figure><\/div>\n<\/div>\n\n\n\n
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Zafra y el esti\u00e9rcol de brujas<\/em>. 2021. Luis Carlos Agudo<\/a><\/figcaption><\/figure><\/div>\n<\/div>\n<\/div>\n<\/div>\n\n\n\n
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El Miaj\u00f3n de los Cast\u00faos<\/em>. 1921. Luis Chamizo<\/a><\/figcaption><\/figure><\/div>\n<\/div>\n\n\n\n
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Lluvia fina. <\/em>2019. Luis Landero<\/a> <\/figcaption><\/figure><\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n\n\n\n
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El huerto de Emerson<\/em>. 2021. Luis Landero<\/a><\/figcaption><\/figure><\/div>\n<\/div>\n\n\n\n
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El balc\u00f3n en invierno. <\/em>2014. Luis Landero<\/a><\/figcaption><\/figure><\/div>\n<\/div>\n<\/div>\n<\/div>\n\n\n\n
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Una historia rid\u00edcula. <\/em>2022. Luis Landero<\/a><\/figcaption><\/figure><\/div>\n<\/div>\n\n\n\n
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Juegos de la edad tar\u00eda. <\/em>1989. Luis Landero<\/a><\/figcaption><\/figure><\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n\n\n\n
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Todos los demonios.<\/em> 2021. Luis Roso<\/a><\/figcaption><\/figure><\/div>\n<\/div>\n\n\n\n
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Otra Extremadura. <\/em>2020. Manuel Ca\u00f1ada<\/figcaption><\/figure><\/div>\n<\/div>\n\n\n\n
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Poes\u00eda completa<\/em>. 1940-1988. Manuel Pacheco<\/a><\/figcaption><\/figure><\/div>\n<\/div>\n<\/div>\n<\/div>\n\n\n\n
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Alegr\u00eda. <\/em>2022. Miguel \u00c1ngel Carmona<\/a><\/figcaption><\/figure><\/div>\n<\/div>\n\n\n\n
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Tan j\u00f3venes y la pena<\/em>. 2021. Millanes Rivas<\/a><\/figcaption><\/figure><\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n\n\n\n
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Gineceo. <\/em>2020. Mar\u00eda Jes\u00fas Garc\u00eda<\/a><\/figcaption><\/figure><\/div>\n<\/div>\n\n\n\n
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Gaia. <\/em>2020. Mar\u00eda Jes\u00fas Garc\u00eda<\/a><\/figcaption><\/figure><\/div>\n<\/div>\n<\/div>\n<\/div>\n\n\n\n
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La fuente de la ira. <\/em>2022. <\/em>Mario Rodr\u00edguez Rom\u00e1n<\/a><\/figcaption><\/figure><\/div>\n<\/div>\n\n\n\n
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La pasi\u00f3n de Rafael Alcon\u00e9tar<\/em>. 2021. Mario Mart\u00edn Gij\u00f3n<\/a><\/figcaption><\/figure><\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n\n\n\n
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Los santos inocentes. <\/em>1981. Miguel Delibes<\/a><\/figcaption><\/figure><\/div>\n<\/div>\n\n\n\n
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Mapa para elefantes blancos<\/em>. 2022. Olga Ayuso<\/a> y Diego Gonz\u00e1lez<\/a><\/figcaption><\/figure><\/div>\n<\/div>\n\n\n\n
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El Zascandil<\/em>. 2021. Pedro L\u00f3peh<\/a><\/figcaption><\/figure><\/div>\n<\/div>\n\n\n\n
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Las Creencias populares de Extremadura: Leyendas, mitos y ritos<\/em>. 2019. Pedro Manuel L\u00f3pez Rodr\u00edguez<\/a><\/figcaption><\/figure><\/div>\n<\/div>\n<\/div>\n<\/div>\n\n\n\n
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No quiero volver a verte llorar<\/em>. 2020. Pedro Manuel L\u00f3pez Rodr\u00edguez<\/a> <\/figcaption><\/figure><\/div>\n<\/div>\n\n\n\n
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Assina creyemus en(a) estrema\u00fara<\/em>. 2021. Pedro Manuel L\u00f3pez Rodr\u00edguez<\/a><\/figcaption><\/figure><\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n\n\n\n
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Paraiso posible<\/em>. 2012. Pilar Gal\u00e1n<\/a><\/figcaption><\/figure><\/div>\n<\/div>\n\n\n\n
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Las divertidas aventuras de las letras<\/em>. 2010. Pilar L\u00f3pez \u00c1vila<\/a> y Mar\u00eda Luisa Torcida<\/figcaption><\/figure><\/div>\n<\/div>\n<\/div>\n<\/div>\n\n\n\n
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Rosal\u00eda y el diente que no se ca\u00eda. <\/em>2021. Pilar L\u00f3pez \u00c1vila<\/a> y Paula M\u00e9rlan<\/figcaption><\/figure><\/div>\n<\/div>\n\n\n\n
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Ave-cedario invenado. <\/em>2016. Pilar L\u00f3pez \u00c1vila<\/a> y Deli Cornejo<\/figcaption><\/figure><\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n\n\n\n
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L\u00e1vate las manos, Mar\u00eda. <\/em>2020. Pilar L\u00f3pez \u00c1vila<\/a><\/figcaption><\/figure><\/div>\n<\/div>\n\n\n\n
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R<\/span><\/strong><\/p>\n\n\n\n

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La senda del rey<\/em>. 2019. Rafaela Cano<\/a><\/figcaption><\/figure><\/div>\n<\/div>\n\n\n\n
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T<\/span><\/strong><\/p>\n\n\n\n

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El secreto del agua<\/em>. 2016. Tom\u00e1s Mart\u00edn Tamayo<\/a><\/figcaption><\/figure><\/div>\n<\/div>\n\n\n\n
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V<\/span><\/strong><\/p>\n\n\n\n

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Mujeres extreme\u00f1as<\/em>. 1977. Valeriano Guti\u00e9rrez Mac\u00edas<\/a><\/figcaption><\/figure><\/div>\n<\/div>\n\n\n\n
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Relatos de la tierra parda<\/em>. 1984. Valeriano Guti\u00e9rrez Mac\u00edas<\/a><\/figcaption><\/figure><\/div>\n<\/div>\n<\/div>\n<\/div>\n\n\n\n
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Cantores de la Virgen de la Monta\u00f1a<\/em>. 1975. Valeriano Guti\u00e9rrez Mac\u00edas<\/a> <\/figcaption><\/figure><\/div>\n<\/div>\n\n\n\n
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\u00c9rase una vez Extremadura<\/em>. 2003. V\u00edctor Chamorro<\/a><\/figcaption><\/figure><\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n\n\n\n
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Extremadura, af\u00e1n de miseria. <\/em>1979. V\u00edctor Chamorro<\/a><\/figcaption><\/figure><\/div>\n<\/div>\n\n\n\n
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Los alumbrados. <\/em>2008. V\u00edctor Chamorro<\/a><\/figcaption><\/figure><\/div>\n<\/div>\n<\/div>\n<\/div>\n\n\n\n
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La hora del barquero. <\/em>2003. V\u00edctor Chamorro<\/a><\/figcaption><\/figure><\/div>\n<\/div>\n\n\n\n
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El sancto y el demonio. <\/em>2004. V\u00edctor Chamorro<\/a><\/figcaption><\/figure><\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n\n\n\n
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La siega. <\/em>2020. Viriato (\u00c1ngel Figueras)<\/figcaption><\/figure><\/div>\n<\/div>\n\n\n\n
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<\/p>\n","protected":false},"excerpt":{"rendered":"

Con motivo del d\u00eda del libro nuestros seguidores, amigos y amigas nos ayudaron a completar una biblioteca virtual de autoras y autores extreme\u00f1os que sirva para visualizar toda la cultura que se crea en nuestra regi\u00f3n o acerca de ella. Estos son los t\u00edtulos y autores que nos hab\u00e9is propuesto hasta la fecha: INDICE: A…<\/p>\n","protected":false},"author":3,"featured_media":0,"parent":2653,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":[],"class_list":["post-1704","page","type-page","status-publish","hentry","description-off"],"_links":{"self":[{"href":"https:\/\/extremeneria.com\/index.php\/wp-json\/wp\/v2\/pages\/1704","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/extremeneria.com\/index.php\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/extremeneria.com\/index.php\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/extremeneria.com\/index.php\/wp-json\/wp\/v2\/users\/3"}],"replies":[{"embeddable":true,"href":"https:\/\/extremeneria.com\/index.php\/wp-json\/wp\/v2\/comments?post=1704"}],"version-history":[{"count":196,"href":"https:\/\/extremeneria.com\/index.php\/wp-json\/wp\/v2\/pages\/1704\/revisions"}],"predecessor-version":[{"id":3590,"href":"https:\/\/extremeneria.com\/index.php\/wp-json\/wp\/v2\/pages\/1704\/revisions\/3590"}],"up":[{"embeddable":true,"href":"https:\/\/extremeneria.com\/index.php\/wp-json\/wp\/v2\/pages\/2653"}],"wp:attachment":[{"href":"https:\/\/extremeneria.com\/index.php\/wp-json\/wp\/v2\/media?parent=1704"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}